The transition of a successful film into a stage show often fails to work or suffers by comparison. Luckily, this heart-warming show does work but inevitably comparisons will be made.

Whilst the film allows the story to open up, a theatrical version is denied glorious expanses. It has to be contained within the limits imposed by the stage.

This production makes good use of the space available with a set that is easily adapted to represent the many locations, along with some clever projected images.

Realising his backwoods home needs a woman’s touch, Adam ventures into town in search of a bride. He weds Milly and brings her back to the farm where she is expected to housekeep for him and his six brothers.

Naturally friction arises through Adam’s pig-headedness and Milly’s determination to civilise the men folk. Added to this is the brothers’ kidnapping of young ladies from the town who they wish to make their brides.

The show is crammed full of songs – not only those familiar from the film but also several newly written numbers including Love Never Goes Away, a gentle ballad sung by Adam, Milly and one of the brothers.

The show is a riot of colour with the spectacular dance routines earning the biggest cheers of the evening. They combine the grace of balletic movement with exuberant athleticism.

Steven Houghton and Susan McFadden lead the talented and hard working cast and, unlike some recent shows, the orchestra does not drown out the lyrics.

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