I approached this play cautiously, due to the company's claim it represented a "theatre of violence". I could only hope they didn't attack me. As it turns out, that's exactly what they did.
Lunatics is not a pleasant experience but it isn't meant to be.
Set during the aftermath of Christ's death, it centres on some of those left behind and explores the themes of grief, violence and betrayal by means of a sonic assault of repetition and profanity. This cacophony achieves a kind of poetic intensity but can also be grating.
All the performances demonstrate power and conviction, especially that of Saskia Schuk as Mary Magdalene, and there are moments of startling beauty. However, as the action progresses, I begin to ask myself how this approach meets Badac's stated aim to "find an essence of violence".
Strangely the violence exhibited is either not brutal enough, or it lacks the subtlety of aggression you might find in the works of Harold Pinter. Modern audiences, who are no longer shocked by nudity and swearing, perhaps may not appreciate the methods as they are employed here.
- Until Monday, May 7. Call 01273 709709
Comments: Our rules
We want our comments to be a lively and valuable part of our community - a place where readers can debate and engage with the most important local issues. The ability to comment on our stories is a privilege, not a right, however, and that privilege may be withdrawn if it is abused or misused.
Please report any comments that break our rules.
Read the rules hereComments are closed on this article