Worthing Musical Theatre Company set themselves a tough challenge in taking on this musical version of the hit film. And that challenge is well and truly met in this quality production.

Although the show is full of humour it also reflects the disintegration of self-esteem and family life that unemployment brings.

There are terrific performances throughout, with Dane Norris leading the way as Jerry, fighting to retain contact with his young son, Nathan, played with an impressive naturalism by Felix Barrett. Ben Pritchard, the overweight stripper, manages to deliver both a comic yet poignant characterisation, while Jay Massiah’s powerful voice excites in Big Black Man. Another knockout voice belongs to Helen Rogers as she rips into It’s A Woman’s World.

Alison Booker’s playing of Jerry’s ex-wife is so beautifully understated that, paradoxically, it stands out. There’s nothing understated about Julie Jordan’s playing of Jeanette, the wise cracking pianist. It’s a full-blooded hoot.

Congratulations to Tony Bright for his slick direction with clever crossovers ensuring pace never slackens during scene changes.

Skilful lighting ensured The Full Monty finale was tastefully achieved.