Seth Lakeman was impressed by the acoustics at St George’s. “Because of this fantastic atmosphere,” he said after opener Blacksmith’s Prayer, “we’ll stick to the darker songs”.

Percussionist Cormac Byrne’s clattering drums gave Take No Rogues the requisite menace, but in reality it was a varied set. Lakeman accompanied himself on mandola, fiddle and guitar, while his brother Sean added more guitar and Ben Nicholls provided slippery bass.

A new addition to Lakeman’s band came in the shape of singer and banjo player Lisbee Stainton. Her softer tones provided a perfect complement to Lakeman’s more attacking vocal style.

And while his band was excellent, particularly on the thunderous The Courier, Lakeman was just as compelling on his own. Portrait Of My Wife provided a tender glimpse of his upcoming new album, but it was his solo performance of Kitty Jay that stole the show. Lakeman’s arm was a blur as he raced through the thrilling, intense fiddle part, slowing the pace before cranking it up again. By the time it was finished, he was visibly exhausted.

The audience were stirred by his commitment and while a few had sidled up the aisles to dance throughout the show, the hoedown encore of Blood Upon Copper had everyone on their feet and showing richly deserved appreciation.